“What Mohan has largely done here, though, is whip up a genre pastiche that shrewdly combines horror-movie frights, paranoid-woman thrills and the special kinky pleasures of 1970s-style nunsploitation.”

“Lupita Nyong’o in “Us,” Toni Collette in “Hereditary” and now Sydney Sweeney in “Immaculate.” All are part of a small group of modern horror performances that grab you without ever letting go.”

“Mohan applies meaningful nuance to the sequences that might seem like they just want to get our blood pumping, aware that people reveal their truest selves in details like the positions they choose, their body language, what pushes them over the brink of orgasm.”

“More fun lurid sex thrillers that you can watch on a Saturday night, please! We deserve nice things.”